We show how for the first time people were encouraged to think about the secretive world beneath their feet.
-Allison Ksiazkiewicz
Uncovering how the ground beneath our feet was mapped for the first time – and revealing some of the controversies and tragedies geology brought to the surface of intellectual debate, Landscapes Below opens to the public on Friday, November 24, at Cambridge University Library.
Featuring the biggest-ever object (1.9mx1.6m) to go on display at the Library: George Bellas Greenough’s 1819 A Geological Map of England and Wales (the first map produced by the Geological Society of London), as well as a visually stunning collection of maps from the earliest days of geology – the exhibition explores how these new subterranean visions of the British landscape influenced our understanding of the Earth. All the maps belonging to the library are going on display for the first time.
“I think the maps are beautiful objects, tell fascinating stories and frame geology in a new light,” said exhibition curator Allison Ksiazkiewicz. “This was a new take on nature and a new way of thinking about the landscape for those interested in nature.
“We show how the early pioneers of this new science wrestled with the ideas of a visual vocabulary – and how for the first time people were encouraged to think about the secretive world beneath their feet.”
As well as maps, Landscapes Below also brings together an extraordinary collection of fossils, artworks and a collection of 154 diamonds, on loan from the Sedgwick Museum of Earth Sciences. Displayed together for the first time, the diamonds were collected, arranged, and produced by Jacques Louis, Comte de Bournon who later became the Keeper of the Royal Mineral Collection for King Louis XVIII.
Another important exhibit on display for the first time is the first edition of George Cuvier and Alexandre Brongniart’s Researches on the Fossil Bones of Quadrupeds (1811), on loan from Trinity College. It examined the geology of the Paris Basin and revolutionised what was considered ‘young’ in geological terms.
Artists were also keen to accurately depict the geological landscape. After surviving Captain Cook’s ill-fated third voyage of discovery, artist, John Webber returned to England and travelled around the country painting landscapes and geological formations, as seen in Landscape of Rocks in Derbyshire. Christopher Packe’s A New Philosophico-Chorographical Chart of East-Kent (1743), on loan from the Geological Society of London, is a remarkable, engraved map that draws on early modern medicine in the interpretation of the surrounding landscape.
“The objects we’re putting on display show the many different applications of geological knowledge,” added Ksiazkiewicz. “Whether it’s a map showing the coal fields of Lancashire in the 1830s – or revealing how this new science was used for economic and military reasons.”
Landscapes Below runs until March 29, 2018 at Cambridge University Library’s Milstein Exhibition Centre. Admission is free. Opening times are Mon-Fri 9am-6pm and Saturday 9am-16.30pm. Closed Sundays.
Image: A Treatise on Diamonds and Precious Stones, 1813, by John Mawe
Credit: Cambridge University Library
Reproduced courtesy of the University of Cambridge