Whereas the first musical age is about asserting independence, the next appears to be more about gaining acceptance from others
Jason Rentfrow
The explosion in music consumption over the last century has made ‘what you listen to’ an important personality construct – as well as the root of many social and cultural tribes – and, for many people, their self-perception is closely associated with musical preference. We would perhaps be reluctant to admit that our taste in music alters - softens even - as we get older.
Now, a new study suggests that - while our engagement with it may decline - music stays important to us as we get older, but the music we like adapts to the particular ‘life challenges’ we face at different stages of our lives.
It would seem that, unless you die before you get old, your taste in music will probably change to meet social and psychological needs.
One theory put forward by researchers, based on the study, is that we come to music to experiment with identity and define ourselves, and then use it as a social vehicle to establish our group and find a mate, and later as a more solitary expression of our intellect, status and greater emotional understanding.
Researchers say the study is the first to “comprehensively document” the ways people engage with music “from adolescence to middle age”. The study is published in the Journal of Personality and Social Psychology.
Using data gathered from more than a quarter of a million people over a ten year period, researchers divided musical genres into five broad, “empirically derived” categories they call the MUSIC model - mellow, unpretentious, sophisticated, intense, contemporary - and plotted the patterns of preference across age-groups.
These five categories incorporate multiple genres that share common musical and psychological traits - such as loudness and complexity.
“The project started with a common conception that musical taste does not evolve after young adulthood. Most academic research to date supported this claim, but - based on other areas of psychological research and our own experiences - we were not convinced this was the case,” said Arielle Bonneville-Roussy from Cambridge’s Department of Psychology, who led the study.
Image: I Giovani e la Musica
Credit: superUbO via Flickr
Reproduced courtesy of the University of Cambridge