Animal, vegetable, mineral: the making of Buddhist texts

The wide-ranging objects on display at Buddha’s Word, an exhibition at Cambridge University’s Museum of Archaeology and Anthropology, show how Tibetan book makers used the resources around them to produce manuscripts conveying the messages of a faith in which texts themselves are sacred objects.

In creating the displays we’re telling multiple interconnecting stories about the production and dissemination of texts right up to the present day when Buddhists have embraced the opportunities offered by digital media and the internet.
— Hildegard Diemberger

A yak will provide most of the things humans need to survive: meat and milk, fibre and fuel, traction and transport – and, last but not least, warmth and companionship. A traditional Tibetan recipe for making a luxurious blue-black paper goes a step further: it lists fresh yak brain, along with soot and a small amount of hide glue. Mixed into a glutinous paste, these ingredients create the glossy surface used to stunning effect in illuminated manuscripts.

Buddha’s Word: The Life of Books in Tibet and Beyond, an exhibition at the Museum of Archaeology and Anthropology (MAA), explores not just the cultural and religious significance of the texts used in Tibetan manuscripts but also the production of these manuscripts – from the making of paper using locally available plants through to the sourcing of pigments used for writing and painting – as well as their transmission across mountains and oceans.


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Image Buddhist books are paraded through the valleys and invited to bless the environment
Credit: Maria-Antonia Sironi

Reproduced courtesy of the University of Cambridge
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